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"I can't, ma'am, it's locked," and in proof of his assurance, Pledge turned the handle and shook the door., Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark., But the essential object of Captain Weaver and the very first desire of Captain Acton and the Admiral was the overtaking of the Minorca, her capture, and the rescue of Lucy. To this end it was extremely necessary that they should speak ships to ascertain if the barque whose rig would make her remarkable had been sighted or spoken, and if so when and where? They had fallen in with two or three vessels which after very careful inspection they had considered safe to speak. But they could obtain no information. Nothing answering to a ship rigged as the Minorca was had been sighted. So Captain Weaver stuck as best he could to his course for Rio, though much hindered by opposing winds. It was to be hoped if the Aurora lay fair in the wake[Pg 346] of the Minorca that the winds which had delayed the schooner had also baffled the barque..